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Parts – Holes - Wholes:  Photographic Erotic Art books

photo 24 holes   photo 25 parts   photo 26 wholes 

My publisher has decided that I need more published material. We now have the fire play book, “Flames of Passion: Handbook of erotic fire play” and “Protocols: Handbook for the female slave.” He’s suggested that I put out some photography books. Hmmm. He’s decided to go for coffee-table books. Hmmm #2.

Ultimately, he’s had me divide my photos into three groups:

  • Wholes: photos where the entire model was visible. The backdrop or the action made it interesting.

  • Holes: pussy shots

  • Parts: Isolated body parts or parts of the model

It became a Print-On-Demand (POD) book like the others, so when printed it is a photocopy process rather than a printing process. The full color images made it expensive. I like the result.

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Fetishizing our Dinners

 Since I’m revealing quite a bit about myself and my life in these blogs, they just wouldn’t be complete without describing how Mistress, slave mindi, and I dressed for dinners.

This is going to be a “visual blog” rather than a written blog…

Here is a shot of the three of us… 

photo 28 the three of us

 

 

Dressing Mistress for Dinner…

photo 29 lacing mistress

 

This is a formal shot of Mistress and I… 

photo 30 karen and me

 

And THIS is slave mindi in all her glory!! 

photo 31 mindi

 

To round out this set, here I am with mindi…

photo 32 mindi and me

 

 

Sadly, I don’t seem to have any saved pictures of ourselves at Table. An oversight.

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Flames of Passion: Handbook of Erotic Fire Play

photo 23 fireplay cover

David Walker and I prepared so many safety handouts for our fire play classes that I asked him whether he might like to put it out as a book. “After all,” I said, “we certainly have the photography set-up and the models.” “Sure” he replied.

We scheduled a couple of shoots; one for cupping, one for wanding, one for wax play, and one for flash cotton. We did the cupping on Renee and the flash cotton on Misty. The sequence with Misty still makes me smile, as we laid out the pattern in such a way that she could feel the flame start up and then watch it approach her face. Her expressions are priceless and we put them in the book. Usually, for newbies, we lay out a simple “Y” strand and light it in the middle. That way, it is totally over before the bottom knows it was lit.

We got Jay Wiseman involved with the book when it came to fire extinguishers. There is a lot of controversy over whether to use a CO2 extinguisher or an ABC powder type. On the one hand, you can throw a person into shock with the CO2 extinguisher, but you don’t risk acid in their eyes. With the ABC extinguisher, you have to be very careful about spraying faces. David and I got around this by saying that there had to be a backup person available when you’re doing fire, and that the person conducting the scene is responsible for the bottom’s safety and the person with the fire extinguisher is responsible for property once the bottom has been removed from the area.

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Kinky Photography

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Writing Books

photo 16 prots cover

 

Herbert came over to our home in Lago Vista for a photo shoot last week. I was in my office. Herbert knocked on the front door, opened it, and called out: “Halooo, halloo” as he let himself in. He knew where I was. This all happened so quickly that he appeared before I had time to get out of my chair.

What are you writing?” he asked.

slave mindi’s protocol manual,” I replied.

Let me see that,” he said. I handed him what I had thus far written and printed out. He thumbed through it.

There’s nothing like this in print.” he declared.

I don’t think there’s a market for a protocols book. Everyone has to make their own.”

The last book that covered this kind of material was by Larry Townsend in 1979.”

What didn’t you understand about what I just said?” I asked.

What do you not understand about the fact that I’m the publisher in the room.” He replied. “How long will it take you to get this into publishable shape?”

About two months.” I stated.

Good. Shall we say September 15th, then?”

NOTE: This book, “Protocol handbook for the female slave: theory and practice” was the first of my non-fiction books about the M/s life. It turned out to be the start of a long string of books that continues to this day. I shot the cover photo. This was my slave's actual protocol manual. It is a snapshot in time of the way we lived from about 2006-2010.

Herbert ended up publishing about a dozen of my books over the years, a magazine that lasted a year, and six small books in the “Power Exchange Resource Series” group.

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Erotic and Fetish Photography

NOTE: I had set up a photo studio in our dance room and arranged photo shoots with female friends from our kink community about once a month over these few years. I should mention: a “photo shoot” for me means 3-4 hours, and perhaps as many as 400 images. As I shoot only on tripod under “hot lights” (always on, as opposed to strobe lights), the setting gives me a chance to adjust the lights and re-shoot, or to move an inch or two and re-shoot.

I have number of returning models, most notably Maitresse Elise...

photo 17 elise

 

Elorin...

photo 18 elorin

Nova...

photo 19 nova

 

Tanya...

photo 20 misty

 

and Cheryl

photo 21 cheryl

When I started out, a kink friend was doing the scene set-ups with me. He was really great. He had a degree in theater design and was gifted at creating interesting backdrops for the photo shoots. He was also good at posing the models. I was not very inspired in that area.

Unfortunately, an upset grew between us when we both got involved with my publisher over a video project.  I was the sole financial supporter, and it became apparent that Herbert was simply using my money to buy all kinds of expensive things without having established a marketing path for the products. I pulled my funding in the middle of the process and Herbert had to shut down the operation. As my friend had come to look at this as a job, he was very upset. He tried to file unemployment, then tried to sue Herbert. As Herbert is very careful in those ways, my friend was not successful, just angry. Much of the anger was directed towards me. It ruined our friendship, unfortunately.

I struggled on with the photography, but since I was not very good at setting up photo sets, I focused more on playing with pussy shots. That gave me a nice way to amuse myself and resulted in some pretty nice images, if I do say so myself.

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Retrospective: About my Photography

b 10 photography

Here I am with my 100-400mm zoom lens connected to a 2x tele-extender with the sun-shield in place. You can see that the lens is attached to the tripod with a "long-lens" Kirk "sidekick" mount. This enables you to pivot the lens in all positions without any effort.

+++++

I have always had a passion for photography. The photographic process slows me down and enables me to see in ways that I don't see in the same using a camera. 

Even before college I had a Kodak retina reflex with three lenses. A 35mm wide angle and 135mm telephoto and 50mm standard lens. I have literally thousands of slides stored in the garage in carousels of 70 slides each. Some of the carousels hold 140 slides.

I actually only changed cameras on my trip around the world when I was 21. When I got to Hong Kong I bought Nikon F. At that time Nikon was the Cadillac camera. For me, the problem with a Nikon, is it it's huge. I had trouble managing it. I sold the Nikon and bought an Olympus 0M2 with those same lenses: 35mm, 50mm,135mm. The Olympus is a much smaller camera and it was much easier for me to manage it. I bought a second OM2 as a backup camera, and as I got better and learned more about shooting on a tripod, I bought an OM1.

I’ve added a nice array of lenses for my Olympus system. I bought an amazing lens through eBay. It was a 100-400mm macro zoom lens. Someone in Britain was selling it. I later found out that it was never commercially available. Essentially, I had a one-of-a-kind Olympus lens.

I used these cameras from my early 20s until 2002, when Alpha introduced me to erotic and fetish art photography. Through Alpha, I was given the opportunity to be the still camera photographer for a soft porn producer here in Austin. He had brought in some models (a couple were professional fetish models) and was photographing them playing in things like cake mix, a big mud pit, Jell-O, putting, and whipped cream. (Here are a couple of those shots.)

b 11 mud pit   b 12 pudding

I had a great time and shot five roles of 35 mm slide film. I took the film into one of our two local professional photo printing companies and dropped it off with Nate. I told him to develop the slides and scan them. I was regular at this place, because I was custom-printing some of my nature photographs.

A few days later I went back to pick up the slides and the DVD of the scanned images.

I gave my order receipt to the guy at the counter but he said he had to go and find Nate. I thought that was somewhat unusual, but figured he was new. Nate came out and pulled me aside and said in a hushed voice: “We can't print these, they are showing nudity and our owners are very strict that we cannot print these kinds of images. They are against the law in Texas.”

I was at a loss. I explained to him that this was a commercial shoot. He went back and spoke to the manager and came back out with the manager. The manager said that he could personally come in and do this run over the weekend when they were closed but there would be a 50% surcharge and that I was not to bring images like this in for processing in the future. Right.

I had to pay the surcharge, because I been paid $450 for the shoot.

Once all was said and done, I bought a Nikon Coolpix so that I could work on the images and print them myself.

After I became comfortable with that little point-and-shoot camera, I spent a lot of time researching Nikon versus Canon digital cameras. These cameras had only been out about three years. Ultimately I chose the Canon line because they had a bigger mount for the lenses. I reasoned that the larger mount on the camera meant that the lenses would be more stable. Nikon had stayed with the same sized lens Mount as their manual cameras in order not to anger their loyal customers who would have collected a lot of lenses over the years. Canon looked at this differently. They felt that they could build lenses that would be more sturdy. Also the larger lenses enables Canon to put Zoom motors in those lenses that made them far faster and quieter than the comparable Nikon lenses.

My final decision concerned the way I use my camera. I do a lot of close-up photography, particularly of butterflies and insects on flowers. After much research I decided to buy 85mm tilt shift lens. At that time Nikon did not make that lends. Also all these larger lenses in the Canon line were image stabilized. At that time Nikon did not have image stabilization either.

So I started collecting lenses and over the next 12 years kept upgrading and changing Canon bodies to the point where I currently have a Canon 5D as my backup camera in the Canon 7D as my primary.

b 13 self portrait

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