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Sandhill Cranes

This was another blog-worthy trip. We’ve just returned from a very long and circuitous trip that had us going from Austin to Bosque del Apache in New Mexico, to White Sands, NM, to Carlsbad Caverns, to spend New Years Eve in Eve’s Garden in Marathon, TX, then back home.

For years, I’ve wanted to shoot the Sandhill Cranes at Bosque del Apache in New Mexico. We decided on a really grand tour that would start at the sanctuary (spending the night in Brownfield) for a late-afternoon / early evening shoot, go to Casa Blanca B&B for the night, and get up to be back photographing by 7am.

c 26 sandhillcranes at dusk 2628 w

I was able to take many outstanding dusk shots of the cranes, augmented by the full moon that was in exactly the right place and right elevation to be captured with cranes flying under it. At one point, as we were changing positions, a fox trotted along a path parallel to the road. Quite spectacular.

c 27 sandhill crane moon

In the morning, we arrived before the cranes had left their roost. It was very cold out: Jen remained in the car watching the scene unfold. I knew what was about to happen and hoped to be able to capture it. I set the focal distance, practiced panning, set the camera for 8 images per second, set up he remote plunger and waited.

I was looking through the lens at 400mm with the ISO set up to about 1,400 and the shutter set at 250th of a second.

I didn’t have long to wait.

Suddenly, one bird rose from the nesting flock and suddenly the entire flock lifted off. I caught it. I hit the plunger and started rolling and panning simultaneously.

I walked over to the driver’s side window once I had finished shooting. Jen was nearly speechless. OMG she kept saying. That was amazing. How did you know they’d all lift off at once? OMG! “When it was over, I looked at the woman in the car behind you (just to Jen’s left) and we both had our mouths open. That was one of the most spectacular events I’ve ever seen in my life.”

“Yes,” I agreed. “It is.”

We ended our trip by spending New Years Eve in Eve’s Garden in Marathon, TX. This had taken a lot of pre-planning, but it was really worth it. Take a look at these:

c 29 eves garden 1   c 30 eves garden 2   c 31 eves garden 3   c 32 eves garden 4   c 33 eves garden 5

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Erotic and Fetish Photography

NOTE: I had set up a photo studio in our dance room and arranged photo shoots with female friends from our kink community about once a month over these few years. I should mention: a “photo shoot” for me means 3-4 hours, and perhaps as many as 400 images. As I shoot only on tripod under “hot lights” (always on, as opposed to strobe lights), the setting gives me a chance to adjust the lights and re-shoot, or to move an inch or two and re-shoot.

I have number of returning models, most notably Maitresse Elise...

photo 17 elise

 

Elorin...

photo 18 elorin

Nova...

photo 19 nova

 

Tanya...

photo 20 misty

 

and Cheryl

photo 21 cheryl

When I started out, a kink friend was doing the scene set-ups with me. He was really great. He had a degree in theater design and was gifted at creating interesting backdrops for the photo shoots. He was also good at posing the models. I was not very inspired in that area.

Unfortunately, an upset grew between us when we both got involved with my publisher over a video project.  I was the sole financial supporter, and it became apparent that Herbert was simply using my money to buy all kinds of expensive things without having established a marketing path for the products. I pulled my funding in the middle of the process and Herbert had to shut down the operation. As my friend had come to look at this as a job, he was very upset. He tried to file unemployment, then tried to sue Herbert. As Herbert is very careful in those ways, my friend was not successful, just angry. Much of the anger was directed towards me. It ruined our friendship, unfortunately.

I struggled on with the photography, but since I was not very good at setting up photo sets, I focused more on playing with pussy shots. That gave me a nice way to amuse myself and resulted in some pretty nice images, if I do say so myself.

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Retrospective: About my Photography

b 10 photography

Here I am with my 100-400mm zoom lens connected to a 2x tele-extender with the sun-shield in place. You can see that the lens is attached to the tripod with a "long-lens" Kirk "sidekick" mount. This enables you to pivot the lens in all positions without any effort.

+++++

I have always had a passion for photography. The photographic process slows me down and enables me to see in ways that I don't see in the same using a camera. 

Even before college I had a Kodak retina reflex with three lenses. A 35mm wide angle and 135mm telephoto and 50mm standard lens. I have literally thousands of slides stored in the garage in carousels of 70 slides each. Some of the carousels hold 140 slides.

I actually only changed cameras on my trip around the world when I was 21. When I got to Hong Kong I bought Nikon F. At that time Nikon was the Cadillac camera. For me, the problem with a Nikon, is it it's huge. I had trouble managing it. I sold the Nikon and bought an Olympus 0M2 with those same lenses: 35mm, 50mm,135mm. The Olympus is a much smaller camera and it was much easier for me to manage it. I bought a second OM2 as a backup camera, and as I got better and learned more about shooting on a tripod, I bought an OM1.

I’ve added a nice array of lenses for my Olympus system. I bought an amazing lens through eBay. It was a 100-400mm macro zoom lens. Someone in Britain was selling it. I later found out that it was never commercially available. Essentially, I had a one-of-a-kind Olympus lens.

I used these cameras from my early 20s until 2002, when Alpha introduced me to erotic and fetish art photography. Through Alpha, I was given the opportunity to be the still camera photographer for a soft porn producer here in Austin. He had brought in some models (a couple were professional fetish models) and was photographing them playing in things like cake mix, a big mud pit, Jell-O, putting, and whipped cream. (Here are a couple of those shots.)

b 11 mud pit   b 12 pudding

I had a great time and shot five roles of 35 mm slide film. I took the film into one of our two local professional photo printing companies and dropped it off with Nate. I told him to develop the slides and scan them. I was regular at this place, because I was custom-printing some of my nature photographs.

A few days later I went back to pick up the slides and the DVD of the scanned images.

I gave my order receipt to the guy at the counter but he said he had to go and find Nate. I thought that was somewhat unusual, but figured he was new. Nate came out and pulled me aside and said in a hushed voice: “We can't print these, they are showing nudity and our owners are very strict that we cannot print these kinds of images. They are against the law in Texas.”

I was at a loss. I explained to him that this was a commercial shoot. He went back and spoke to the manager and came back out with the manager. The manager said that he could personally come in and do this run over the weekend when they were closed but there would be a 50% surcharge and that I was not to bring images like this in for processing in the future. Right.

I had to pay the surcharge, because I been paid $450 for the shoot.

Once all was said and done, I bought a Nikon Coolpix so that I could work on the images and print them myself.

After I became comfortable with that little point-and-shoot camera, I spent a lot of time researching Nikon versus Canon digital cameras. These cameras had only been out about three years. Ultimately I chose the Canon line because they had a bigger mount for the lenses. I reasoned that the larger mount on the camera meant that the lenses would be more stable. Nikon had stayed with the same sized lens Mount as their manual cameras in order not to anger their loyal customers who would have collected a lot of lenses over the years. Canon looked at this differently. They felt that they could build lenses that would be more sturdy. Also the larger lenses enables Canon to put Zoom motors in those lenses that made them far faster and quieter than the comparable Nikon lenses.

My final decision concerned the way I use my camera. I do a lot of close-up photography, particularly of butterflies and insects on flowers. After much research I decided to buy 85mm tilt shift lens. At that time Nikon did not make that lends. Also all these larger lenses in the Canon line were image stabilized. At that time Nikon did not have image stabilization either.

So I started collecting lenses and over the next 12 years kept upgrading and changing Canon bodies to the point where I currently have a Canon 5D as my backup camera in the Canon 7D as my primary.

b 13 self portrait

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